If you loved Hilary Mantel’s Wolf Hall novels, this collection of stories will convince you that she can capture modern people at least as well as medieval ones showing all their foibles and unachieved dreams.
Mantel’s prose is startling clear, her metaphors striking but en pointe, and her feel for characters both rich and sure. She has a ready feel for plot and for infusing her stories with a deep feel for the mysterious.
In the opener, “Sorry to Disturb,” she portrays a sick British ex-pat living in Saudi Arabia, who is almost a prisoner in her own apartment (because of women’s very restricted social and cultural standing there.) An Asian foreign man starts to visit her in the afternoons and though he is married, she immediately suspects his lack of good intentions. When he tells her that she reminds him of his first American girlfriend who was risque, she knows her perceptions are right.