No other author manages to squeeze so much historical detail and under-the-surface emotion into her short stories as Canadian writer, Alice Munro. Her short fiction has enthralled me for years. Although she’s written a novel or two, almost her whole output—17 published books—is in the short story form.
In Munro’s stories time is never strictly chronological. Munro artfully flits between the present and the past. She never loses control. Her transitions are seamless; the reader never has to search or root around for the correct time and place. Also, important to these stories is the emotional arc.
Dear Life is her most personal collection yet. To the ten stories included, Munro has added four memoir pieces that are not fiction, although Munro said that she fictionalized certain elements of them. If you’ve read the author’s other collections, you’ll recognize the farmland and small towns near Lake Huron, marked by poverty that Munro returns to again and again. There’s also the young girl or woman breaking away from her family, seeking a better life. Sexuality often becomes a main theme and the endings are seldom happily-ever-after, but more like life, both good and bad, always complicated. Read more »