Before this century, farming was a way of life for many Americans. In the 1920s, 20% of our workforce labored on farms. Now it is less than 2%. This novel, the first of a trilogy, covers the lives of an extended agricultural family, the Langdons, from the 1920s to the 1950s.
In 1920 Walter Langdon, a young 25-year-old walks the land of his new farm. His father thought he didn’t need to start on his own yet, but Walter disagreed. He had a wife after all--the beautiful and practical, Rosanna--and now a six-month-old son, the treasured Frank. As the first grandchild in the family, he receives tons of love and praise.
The novel covers a cycle of births, deaths, marriages, and children coming of age for two generations. The pace is slow, the characterization, deep, and you feel that you are really experiencing life as it was lived on an Iowa farm. Read more about Some Luck
It's that time of year again when the Man Booker Prize whittles its choices down to a manageable six. The Man Booker Award, begun in 1969, is one of the most prestigious literary awards.
It was formerly limited to writers from the UK and Commonwealth, the Republic of Ireland and Zimbabwe. In a move many British writers recented, last year it was opened to Americans for the first time. Many Brits felt that the Yankees would take over it.
This year two U.S. authors have been short-listed: Anne Tyler and Hanya Yanagihara.
Anne Tyler known for her quirky characters, humor, and emphasis on family and travel has written twenty novels and won many awards. On the other hand, this is Hanya Yanagilhara's second novel. Hanya is of Hawaiian ancestry. Her novel tells the story of four college friends through middle age. Read more about Prestigious Man Booker Prize Announces Short List
I started this morning reading poetry, and couldn’t have found a better book of contemporary American poems than Mark Doty’s Deep Lane. He writes about memory, love, and human connections. Masterfully, he encases most of these themes in strikingly beautiful nature poems.
How gifted Doty is describing things as ordinary as a deer in a backyard, when he writes ”a buck in velvet at the garden rim, / bronze lightly shagged, split thumbs / of antlers budding.”
He also celebrates humanity in everyday New York City: the three barbers he visited for ten years who suddenly disappeared, the one-armed man at the gym, his old friend, Dugan, who appears suddenly on 15th Street, “—why shouldn’t the dead / sport a little style?” Read more about Deep Lane