Diversity

With immigration a hot button issue both politically and in the news, it was interesting to read Cristina Henriquez’s second novel The Book of Unknown Americans. It tells the stories of various immigrants (from Mexico, Puerto Rico, Nicaragua, Venezuela, and other Latin American countries) who have all landed in Delaware.

The book opens with a family’s arrival at night from the border. A paid driver has brought Arturo, Alma, and their daughter Maribel to this immigrant enclave outside of Dover.  They are legal immigrants given papers to work on a mushroom farm.  Or at least Arturo will work there. They have come primarily to get special schooling for 15 year old Maribel who fell off a ladder at her father’s construction site in Mexico and has brain damage.

The story of this family is the heartwood of the novel. But woven in are life stories of other immigrants including a boxer, who came to the states to win matches but became instead a landlord, and an actress who worked hard to make it in New York City, but came to Delaware and formed her own theatre. 

This beautiful books gives you a feel of how hard it is to start life over in a new place, not understanding the language or culture.  It also explores issues of guilt and secrecy, and how they affect even the strongest of marriages.

I read a review of Three Day Road, Joseph Boyden's first novel of World War I, which mentions that this isn't necessarily an anti-war novel.   I had to read the sentence in that review several times to make sure I wasn't misreading or misunderstanding.  Does a war novel have to come out and specifically declare a stance? 

Really, Boyden includes anti-war elements right up to the breathtaking ending: senseless killings, madness, morphine addiction, shortsighted military leadership, dehumanization, and the day to day terror.  The characters in this book do seemingly impossible and horrible things in the name of combat.  Is that not stance enough?  Is it even important?

It is true that this book is about more than the descent into the hell of trench warfare.  It is a really poetic story of Xavier Bird and Elijah Whiskeyjack, Cree Indians who have grown up in Canada near Hudson Bay.  They have spent their childhood patiently hunting, skills which serve them well as snipers in some of the worst battles of World War I, including around Vimy Ridge and the Somme.  Maybe it needs to be said, but being good at killing moose to survive the winter is different than being good at killing Germans. Xavier and Elijah react differently, but equally destructively, to war.