The Past

This novel is a dense, rich celebration of an English family, first in the present time, then in the past--the late 60s and early 70s.

In the first half, four siblings: Harriet, Alice, Roland, and Jane meet at the old family homestead near the sea for a family reunion.  The house is being sold, and it will be their last time together at their childhood home.

Accompanying them, are children (Jane’s), a new South American wife (Roland’s--his third), a young friend, and son of a former lover (Alice’s), and all alone, (Harriet).

In the siblings’ idiosyncratic fashion, Harriet arrives first; she leaves the house locked and goes wandering in the forest.  Alice arrives with Kasim, and then realizes, what she has done, brought an eighteen-year old to a place with nothing going on. Roland calls and says there will be delay, and that he and Pilar will arrive on Sunday.

Alice runs through the house, throwing open windows, picking and placing beautiful bouquets in each of the adults’ room, while Jane, the mom, practically begins cooking the evening meal as her two children, Ivy and Arthur explore.

Privately, Jane and Harriet discuss whether Kazim is more than a friend to wild, actress Alice. Kazim reads on the porch terribly bored. But on Sunday when Roland, Pilar and Molly, Roland’s sixteen year old daughter, arrive. Kazim immediately perks up at Molly’s appearance.

The Dogs of Littlefield

Something is happening to the dogs of Littlefield, Mass.  Is someone poisoning them or does the blame fall on something more supernatural?  A cast of delightful, small-town characters suffers through this travesty as circumstance and personality pit one against each other.

It begins with the posting of warnings: pet-owners should not let their dogs roam free in the park. The signs start off politely, then denigrate into meaner advice: “Leash your beast or else.” Then a white bull-mastiff is found poisoned in the park woods.  Soon the aldermen schedule a meeting to discuss two diametrically-opposed proposals: ban all dogs from the park, or create a leash-free area for the dogs to play and have freedom.

Littlefield, long on the top ten list of best small communities to live in America, appears to be coming apart in myriad ways. Most of the teens and adults have therapists. The veneer of social niceness quickly disappears.

Eligible

What do jogging, hate sex, cross fit gyms, and reality TV have to do with Jane Austen? Don’t be so 19th century. So what if Austen is rolling over in her grave. Sittenfeld has made a delightful pastiche of Pride and Prejudice, much more to my fiction-reading tastes than Pride and Prejudice and Zombies.

In this reimagined version of the classic, it’s 2013 and the Bennet family has relocated to a spider-infected old Tudor in an upscale neighborhood of Cincinnati. Country club lunches, anyone?

The five unmarried daughters still ground the story although all of them have turned very 21st century. Even Mrs. Bennet has been modernized, she’s now a shopaholic busybody. However, she still remains in determined pursuit of worthy husbands (rich, upper class) for her daughters.   

Jane and Liz have flown the nest for New York City where gentle Jane teaches yoga, and Liz, writes for the entertainment mag, Mascara. She also sleeps with her married boyfriend. At thirty-nine, Jane has given up on finding a man, and has begun in vitro fertilization treatments in the hopes of having a child. Alas, no wedding bells in the offing for both Jane and Liz.

My Name is Lucy Barton

If you ever worried as a child about bringing other children home from school and their possible reaction to your home and family life, this book will resonate with you. If you ever reconnected with a close relative after a long absence, ditto.

Lucy Barton had a pretty horrific childhood: dirt-poor for many years the family lived in an actual garage without running water. And not only was there little money, food, or clothes, but her parents provided little emotional sustenance. 

Strout takes you deep into the mind and heart of her protagonist, a young mother in her twenties, recently hospitalized after an operation.  Lucy is happily married with two young children whom she feels she has abandoned because of her illness. She also is a new writer, proud of her work, but still not at ease calling herself an author.

The present time of the book occurs in a New York City hospital where Lucy is amazed to see her mother, who’s come all the way from Iowa to take care of her daughter.  But this is so out of character for her, that Lucy can scarcely believe she has arrived. Neither parent has ever visited Lucy before and neither attended her wedding. At his one meeting with their future son-in-law, Lucy's father flipped out because her fiancée was German.

The Nest

Tolstoy’s quote from Anna Karenina applies to this book: “All happy families are alike; each unhappy family is unhappy in its own way.”

The Nest is about three generations of Plumbs: Francie, the matriarch, the middle generation that consists of Leo, Bea, Jack, and Melody, plus two of their spouses, and Melody’s two girls, the twins, Nora and Louise.

At novel’s opening we find Leo, the eldest, who long ago made a bundle on a trendy magazine, and has just been released from rehab, wandering through Central Park trying to score some drugs.

The twins, who are playing hooky from their senior year SAT prep class, watch as their uncle falls to the ground. They decide not to rescue him because he will most likely tell their mom, Melody, where he saw them, thus getting them into trouble.

At that very moment, Leo was supposed to be attending a family lunch. It’s about the nest, which is the money their Dad set aside for them in trust that comes due at Melody’s 40th birthday.  The elder Mr. Plumb wanted his kids to inherit something but not a grand inheritance, nothing that would create havoc in their lives or make them too dependent on his money.

The Light of the World

You might recall Elizabeth Alexander—she read the poem at President Obama’s first inauguration. This memoir by the prize-winning poet covers a much more private, interior space. It tells the story of her love, marriage and family, and especially the jagged rent in her life caused by her husband’s death.

The first chapter queries where the actual story begins. Is it the beautiful April morning in Hamden, Connecticut when Ficre Ghebreyesus returns to his younger son Simon’s trundle bed, saying, “This is the most comfortable bed I have ever slept in.”? Is it when Ficre ran out of the house to buy three dozen lottery tickets on a hunch, wanting the win the lottery for Elizabeth? Or is it way back in ’61 when two women on opposite sides of the earth become pregnant, one carrying a first-born girl, another carrying a later-born son?

The couple met in a New Haven coffee shop; Ficre came over and introduced himself.  He was a chef who had escaped from war-torn Eritrea, Africa at age sixteen.  He became a refugee in Sudan, Germany, Italy and finally, the States. Torn from his family for many years, he ended up in New Haven and in the 90s began painting.

He later said he would never marry a woman who did not honor and love her parents. Luckily, Elizabeth more than fit that bill.

Some Luck

Before this century, farming was a way of life for many Americans. In the 1920s, 20% of our workforce labored on farms. Now it is less than 2%.  This novel, the first of a trilogy, covers the lives of an extended agricultural family, the Langdons, from the 1920s to the 1950s.

In 1920 Walter Langdon, a young 25-year-old walks the land of his new farm. His father thought he didn’t need to start on his own yet, but Walter disagreed. He had a wife after all--the beautiful and practical, Rosanna--and now a six-month-old son, the treasured Frank. As the first grandchild in the family, he receives tons of love and praise.

The novel covers a cycle of births, deaths, marriages, and children coming of age for two generations. The pace is slow, the characterization, deep, and you feel that you are really experiencing life as it was lived on an Iowa farm.

Refund: Stories

Although she has written three novels, this is Karen Bender’s first collection of stories. Wow can the woman write.

Two of her short stories have won Pushcart Prizes and several others have been included in Best American collections, both for short stories and for mystery stories.

The pieces are irreverent, funny and sad at the same time, and rich with the absurdities and bizarreness of modern American life.  For instance, “The Sea Turtle Hospital” vividly describes a lockdown at a grade school. Bender’s writing is non-judgmental but rich in detail.

The narrator in this story gets the job of locking the door and pulling down the shades (what protection would thin shades provide?),  while the other teacher hustles the children into a closet. They proceed to eventually rolling the children up in a stinky rug after shots ring out. All the while anxious parents text the narrator.

One of the weirdest stories is “The Cat” where a mother adopts a kitten. Bender is a whizz at getting children down--both their conversations and behavior. 

But the story is really about the mother in this story, six years out from breastfeeding, but the kitten’s mews cause a let-down reflex and her milk to return. This leads to consultations with a breast surgeon who has a pet iguana. “Cold,” the mother says.  You’ll have to read it to find out what happens.

Bender seems drawn to non-politically correct topics.  In “A Chick from My Dream Life” she describes two teenage sisters whose parents offer them little attention. Their father is very depressed but the girls don’t know why he spends all day on the living room couch not wanting them near.

The younger sister, Betsey, has an arm that ends in a point like “the tailed end of whipped cream.” As the older sister, Sally, takes it upon herself to hide it in tube tops or paint it in vivid colors. When their dad starts ignoring them, they wander to the beach where Betsey sneaks away to kiss boys, telling them that her name was Sally.

“Theft” describes an older woman’s vacation on a cruise ship to Alaska after a life of crime. She meets a young woman, Darlene, who has a broken heart. The two women bond. Ginger tries to toughen Darlene up, tells her what to say to get her boyfriend back, while revealing some of her own backstory and how her parents and sister abandoned her. That’s what spurned her to become a first-class swindler.

Many of the stories etch out feelings of loneliness or loss, but with a quirky, off-kilter humor that makes everything bearable. Her narrators are smart, observant, and fallible--very much like us. Bender’s writing recalls that of the wonderful short story writer Flannery O’Connor. Try Flannery's Complete Stories.

Outline

This quiet introspective read is not for everyone. In it, British novelist Rachel Cusk, examines relationships and self-identity in a series of ten conversations that make up the book. The action occurs in the span of one week while a narrator travels to Greece for a week long writing seminar that she is teaching.

Caveat: this is one of the most unusual novels I have ever read. The author’s voice is sure, steady, and at times mesmerizing. It’s not an action novel in any sense, but rich with everyday life in a way that recalls Virginia Woolf’s works.  Philosophical with wry humor and a deep sense of what makes people tick.

The first dialogue begins on the plane with her seatmate, a wealthy Greek, who is twice, make that thrice divorced. As happens so often in life, the two passengers share many secrets about their lives. We learn that the Greek has a disabled brother and disabled child.  His ex, the mother of his son, wanted to institutionalize the boy, but the

Orphan Train

I had a personal connection to this novel because my mom was raised as an orphan in Chicago. Luckily, she never had to experience adoptions or sharing foster homes with unloving parents but she did start out on her own at age sixteen working as a salesgirl in the Chicago Loop.

This touching intertwined story of two orphans: one contemporary and one from depression era days, was a quick and touching read. It begins with Goth-looking Molly, a young, half-Native America girl from Maine who just got busted for stealing a book from the public library.  Really? Well not every detail in a novel has to be 100% authentic.   

In case you’re curious, Molly took the third and the most beaten-up copy of Jane Eyre.

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