Despite being over four hundred years old—alive in the time of Shakespeare—Tom Hazard (one of his many non de plumes) is still learning how to live life.

Recently, he relocated to London, and became a history teacher in a secondary school. While lecturing about Elizabethan England or Mussolini during World War II, Tom gets tripped on things he actually saw, versus things he should only be familiar about through books. The students notice and look at him quizzically. Read more about How to Stop Time

On November 17, author Jamie Ford speaks at the Buskirk-Chumley Theater in Bloomington for the NEA Big Read and the library’s biennial Power of Words program. Tickets are free, and can be picked up at the Main Library (at the Friends of the Library Bookstore or the Friends office) or ordered online.

As he often does, Jamie Ford writes about the clashing and melding of different cultures in his three historical novels: Hotel on the Corner of Bitter and Sweet, Songs of Willow Frost, and Love and Other Consolation Prizes.   Read more about Hotel on the Corner of Bitter and Sweet

Say you've just finished your graduate degree in writing from Boston College, and a rich donor provides you with funds to travel anywhere in the world. Where do you pick? Tahiti, Paris, Buenos Aires? For British citizen Nell Stevens, it's none of the above. Instead, she chooses the remote Falklands Islands, where South America meets Antarctica—in June, which is winter there.

In Stanley, the Falklands' capital, Nell researches the archives for her first novel, and also meets some of the less-than-friendly Falklanders there. After a few weeks, Nell hops a plane for even more remote Bleaker Island, about which a writer friend quips, “Oh, you’re writing Bleaker House.” Read more about Bleaker House: Chasing My Novel to the End of the World

Several books use the concept of a magical door to provide characters entry into other worlds, or to better places in this one. Exit West, a timely novel about refugees by Man Booker Prize winner Mohsin Hamid, employs this device—but because of the power of his plotting and beauty of his prose, it's highly believable.

The novel begins when a young man, Saeed, meets Nadia in an adult evening class in an unnamed country at some point in the near future. Civil war wracks the country; terrorists and militants roam the streets. Read more about Exit West

A Ghana proverb says, “By going and coming, a bird weaves its nest.” The title of this novel tells the story of many people from Ghana who were forcibly removed from their African home, yet centuries later, two descendants return to find their family.

If you liked Colson Whitehead’s The Underground Railroad, Yaa Gyasi’s novel will make the perfect follow-up.  Hard to believe that she started writing this in her early twenties and finished it by age twenty-six. It covers much more ground than Whitehead’s historical novel: Africa and the U.S., and much more time, from the mid-seventeen hundreds to now.  

At one point in the novel, a black history teacher describes history as storytelling. Gyasi presents many eloquent and heart-rending stories here. What ties them together is that all the characters belong to one extended family, who were once royalty in Ghana. They became both slave-sellers and slaves. Many came to America.

Gyasi follows two tracks of this family: one remained in Ghana, the other was forced into slavery in the U.S.  It follows their descendants after the Civil War, Reconstruction, and the great migration north.

Gyasi visited Africa as a student to do research on a book about mothers and daughters. But when she toured Ghana’s Cape Coast Castle, something in the rooms, the cellar where slaves were chained and abused in dungeons called out to her. She immediately decided to focus on the African slave trade and its diaspora later in the U.S. Read more about Homegoing