If you like haiku or are merely curious about the art, dive into this book. It traces the origin of the form in English from Ezra Pound’s “In a Station at the Metro” through the effusive Beats (Kerouac, Gary Snyder, and Allen Ginsburg) to contemporary masters of these powerful small poems. In the introduction, Billy Collins describes his love for these small gems and unlike many of the other artists included here, he writes in the familiar 5-7-5 syllabic pattern. 

Here are a few of my favorite haiku included in the collection. But alas, there were so many good ones, it was hard to choose a small sample:

passport check

my shadow waits

across the border                            --George Swede Read more about Little Jewels--Haiku

What a beautiful collection Gregory Orr’s tenth book of poetry is--moving, lyrical, concise, thought-provoking and full of a rich humanity. Orr has had a difficult life. As he describes in one poem, he accidentally shot his brother in a hunting accident as a child and his mother died a few months later. He doesn’t say from heartache but that is implied.

The book is divided into three sections. The first “Eden and After” offers an overabundance of infinitive titles including: “To Speak,” “To See,”  “To Write,” “To Embrace,” “To Stray,” and a couple I can’t mention here. The poems are much deeper and broader than the titles might imply.  And yes, they are about Adam and Eve’s time in the Garden of Eden and their later fall as these lines from “To Build” reveal: “No longer could they rest / Each night inside / God’s breath / As in a tent that kept / Them from the cold.”

The second section is more literary. It’s called “The City of Poetry.” Individual poets are mentioned including: Francois Villon, Coleridge, /Rimbaud, Sappho, etc. but it’s more a praise song to poetry itself: “There’s only one river / That flows / Through the city / But different poems / Call it different names.” Read more about River Inside the River

If you’re new to poetry and find it difficult, you may want to try the work of Gerald Stern. At eighty-eight, he’s one of the grand masters of poetry still composing poems. He’s won lots of awards but writes in understandable language about everyday things: travel, frogs, New York, cafeteria (spelled with a k as are all of the c words in this poem), his childhood, flowers, and love.  What I like about his latest collection In Beauty Bright and all of his work is that he celebrates living in an almost ecstatic way--most of his poems could be songs. Check out these lines: “Like fools we waited to hear the tomatoes;  we knew / what greenness means to the vine.” or “Take a dog to the vet’s, he knows what you’re doing, / a cat becomes a muscle, she leaps from your arms.”

You can tell from his work that he’s the kind of quirky writer that does weird things on occasion to discover his latest poem; for instance, “Day of Grief” begins: “I was forcing a wasp to the top of a window / where there was some sky and there were tiger lilies…” Another insect poem starts this way, “I lost my rage while helping a beetle recover / and stood there with precision, balancing / grass with stone.”

And see how immediate and tactile this poem simply titled “Love” is, “I loved your sweet neck but I loved your shoulder blades more / and wondered whether I should kiss your cheek first / or your hair.” Read more about Pick up a Book of Poetry

Sonnets, Haiku, Free Verse... Shel Silverstein, Emily Dickinson, Robert Frost... There is a poet and style of poetry to suit you. You can sample a wide range of poetry in the juvenile nonfiction collection between 808.81 and 821.92: individual poems, collections of poems, poems to ponder silently to yourself, poems to read aloud. If you want to memorize a special poem, you might peruse a collection like: Poems to Learn by Heart, selected by author Caroline Kennedy, pictured to the left.

You can also create your own poem -- from your imagination or observation. If you look carefully enough, you can find poems all around you -- like on the spines of books at the library -- just waiting to be discovered:

Find other ideas for celebrating National Poetry Month at ReadWriteThink.

I'm both a poetry and quotation aficionado, so what could be better than a twofer? Dennis O'Driscoll's wonderful gathering of quotations about poetry Quote Poet Unquote: Contemporary Quotations on Poets and Poetry is the kind of book you read through to inspire you, make you laugh, or help you figure out what modern poetry is and does. Appropriately, Copper Canyon Press (the publisher) chose for their pressmark the Chinese character for poetry. It's constructed of two parts that mean word and temple.

O'Driscoll begins his introduction with Boswell's question to Samuel Johnson (the famous dictionary maker), "What is poetry?" Johnson's witty reply was, "Why, Sir, it is much easier to say what it is not."

The book itself is arranged in sections each beginning with a phrase. Examples include: "What is it anyway," "Making a Start," "Inspired Moves," "Call Yourself a Poet," "Best Words," "The Audience," "On the Contrary," and "In Memory." This is just a sampling. O'Driscoll has devised a lot more categories.

Here are a few of my favorite quotes (although there are so many good ones it's hard to winnow them down to a short list.) Read more about Quote Poet Unquote