Today we are faced with a rising tide of legislation designed for one purpose, to test the learning of our children in schools and the efficacy of our teachers in teaching them. We often think of this as something new. Teachers, a comedy made in the early 80's, features a school under attack. It has teachers who care about their students, some who don't care about their students and almost every other type in between including those who are just trying to stay alive. The students are not really any better. Some want to learn, some don't and some are also just trying to stay alive. The school is also under attack from the outside. It seems that they are being sued for giving a diploma to a student that is functionally illiterate. Read more about Teachers
There are times when everything in life seems just as clear as... mud. That’s doubly true if you happen to spend lots of time scrounging the Mississippi River, which is exactly what the characters in the latest from Jeff Nichols (director of 2011’s shamefully overlooked Take Shelter) do to get by. Centering on Ellis and Neckbone, two early-teens swamp rats who befriend a fugitive hiding out near their fishing spot, Read more about Mud
In November a show which is perhaps the longest running television series in the history of Television celebrates 50 years. The show is BBC One's time traveling adventure Doctor Who. "Who" is more of a question than a name. Launched 1963 with William Hartnell as "The Doctor" a Time Lord from Galafrey who travels in time and space in a ship known as The T.A.R.D.I.S; a ship inexplicably larger on the inside than the outside and which looks exactly like a 1960's British police call box. Read more about If You Liked Doctor Who
I always like it when the holds queue runs out on good, recently released movies. What Maisie Knew might be one of the better ones I've seen so far this year. The story concerns a child who is shuttled between caregivers as her parents pay more attention to their careers and bitter custody battle than their own daughter. Based on the 1897 novel by Henry James, the film has been updated to present-day New York City (with a few other things changed as well, but it retains the core of the story). The movie is shown mostly from the little girl Maisie's perspective. Though, since she is a young child, the film centers itself around what we as the audience perceive as so-called mature viewers and what she innocently "knows". We don't really know anything about these people outside of what is shown to us, but we come to make judgments about their actions because of how they effect the child. It is an emotional film, constructed in a way to make you feel angry, sad, and hopeful toward the situations the child is put in. Read more about What Maisie Knew
The Way We Get By is a documentary that starts out focusing on the work of the “troop greeters” in Bangor, Maine. This group of senior citizens goes to the Bangor International Airport at any hour of the day or night to greet outgoing and incoming US troops. Oddly enough, Bangor is the main departure and return point for those serving overseas . The greeters, some retired military themselves, offer service men and women a warm welcome, snacks and free cell phones to call their loved ones. Those arriving at 3 am receive the same enthusiastic greeting as those coming at 11 am, rain, sleet or snow. This seemingly small gesture has a big impact on those returning from overseas, many unsure of how they would be received or concerned about returning to life in the US.
But there’s another layer to the story, one that’s possibly even more touching- that of the lives of the greeters themselves. Focusing on three of the senior citizens the film becomes a study of aging, loneliness, and the universal search for a sense of purpose in our lives. Read more about The Way We Get By
It’s the collective sigh huffed by every adult generation in history: our youth have no respect, no direction, no values. Fortunately examples like Only the Young (Oscilloscope Laboratories), the debut feature-length documentary from Jason Tippet and Elizabeth Mims, remind us that today’s teenagers are more than pop-cultured iPhone zombies—that perhaps they’re even human, and not so hopeless, considering the world they’re growing up in.
Only the Young follows skateboarders Garrison and Kevin as they navigate their high school years in a small town outside of Los Angeles. Thanks to the rapport the filmmakers earn with the boys, we’re able to roll right along with them—to an abandoned house, to the skatepark, and into their homes and their social circle. We meet Skye, who as the boys’ cohort, confidante, and sometimes-girlfriend becomes an integral character in the film herself. Read more about Only the Young