The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." Eric Gansworth is telling his story in Apple: Skin to the Core—the story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse, prose, and imagery that truly lives up to the word "heartbreaking."

Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family.

Daunis, who is part Ojibwe, defers attending the University of Michigan to care for her mother and reluctantly becomes involved in the investigation of a series of drug-related deaths.

The year is 1868, and 14-year-old Alika and his younger brother, Sulu, are hunting for seals on an ice floe attached to their island in the Arctic. Suddenly, the ice starts to shake, and they hear a loud crack—the terrible sound of the floe breaking free from land. The boys watch with horror as the dark expanse of water between the ice and the shore rapidly widens, and they start drifting south—away from their home, their family, and everything they've ever known. Throughout their six-month-long journey down the Greenland Strait, the brothers face bitter cold, starvation, and most frightening of all, vicious polar bears. But they still remain hopeful that one day, they'll be rescued.

This anthology of science fiction and urban fantasy stories stars First Nations and Metis characters with an LGBTQ+ and two-spirit theme.

Poor yet resilient, the boy lives in the shadows with his Aunt Libby and Uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They're always on the move across the South, living a life of late-night exits and narrow escapes, one step ahead of the law, but everything is about to change. The boy will be turning 16, and he will need to understand his family and his place in the world—a world that shuns and fears werewolves.

An accessible and educational illustrated book profiling 50 notable American Indian, Alaska Native, and Native Hawaiian people. Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this illustrated collection. Also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more.

When Cole Harper returns to Wounded Sky First Nation, he finds his community in chaos—a series of murders, a mysterious illness ravaging the population, and re-emerging questions about Cole's role in the tragedy that drove him away 10 years ago.

While most of the world has drowned beneath the sudden rising waters of a climate apocalypse, Dinétah (formerly the Navajo reservation) has been reborn. The gods and heroes of legend walk the land, but so do monsters. Maggie Hoskie is a Dinétah monster hunter, a supernaturally gifted killer. 

Combining graphic fiction and non-fiction, this graphic novel serves as a window into one of the unique dangers of being an Indigenous teen in Canada today. The text of the book is derived from excerpts of a letter written to the Winnipeg Chief of Police by 14-year-old Brianna Jonnie—a letter that went viral and in which Jonnie calls out the authorities for neglecting to immediately investigate and involve the public in the search for missing Indigenous people. She also urges them to not "treat me as the Indigenous person I am proud to be" if she were ever to be reported missing. 

Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. They influenced The Doors and jammed with Jimmy Hendrix before he was "Jimi," and the idea of a band made up of all Native Americans soon followed. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum, the band took a stand, choosing pride in their ancestry over continued commercial reward.