The blossoming beauty of nature and the ever changing weather of April seem like the perfect partners to poetry. Celebrate National Poetry Month by reading some poems from one or more of these selections.
In the last twenty years, Hip-Hop has become a real cultural force. This collection presents some of the best poetry produced in the form and translates this dynamic spoken-word music onto the page.
His years living in Greece gave Gilbert a different perspective on life. This collection contains all Gilbert’s essential work about travel, love, nature, and his boyhood in gritty, industrial Pittsburg.
Found here in one volume is the life’s work of this gifted lyrical poet who wrote about Hiroshima, the pulse of life in New York City, nature, the self and the family. Culled from six decades of his writing, this makes an essential collection.
Presented in both English and Spanish, this collection shows the span of the famous poet and playwright’s work. From the beginning, Shange tackled difficult subjects: prejudice, the targeting minorities, suicide, parenthood, and domestic violence—all in her famous idiosyncratic style.
Prayers, poems, and songs from the earliest times to now about the spiritual in life written by princesses, freed slaves, healers, revolutionaries, ministers, rebels and more.
In praise of redbuds, orchids, beekeepers, and opera singers, these lyrical poems celebrate nature, love, and life. Professor Gay teaches writing at Indiana University--Bloomington.
Known for his environmental activism and love for the land, Wendell Berry gathers poems about love, his Kentucky farm, and a section of Sabbath poems, where Berry retells his Sunday morning wanderings and shares his observations on humanity and nature.
Local Indiana author, Long, brings her multicultural past to life in this lyrical collection. In moving language, she celebrates the intersection of science and literature. She also artfully plays with various forms in her poetry.
In her debut collection, Jacobs celebrates the landscape of the artist, Georgia O’Keeffe. Wandering the trails around Abiquiu and Ghost Range, she brings the beautiful New Mexican landscape to life. She also jumpstarts poems inspired by O’Keeffe’s own letters.
Calvocoressi resists the limitations of language—especially where gender is concerned—to more fully capture the experience of a self "unlimited in its possibilities." (To announce the repeated manifestations of her recurring character the Bandleader, Calvocoressi uses the musical segno symbol, signifying a "confluence of genders in varying degrees, not either/or nor necessarily both in equal measure.") The setting of her third collection is woodsy, nocturnal, and by turns sinister and merciful; where "it did get dark" enough to see the stars "but how bright it was."