Reviews

If the last thing you learned about genes was Gregor Mendel’s pea pod experiments, you might want to try this easy to read science book to get up to speed about many fascinating changes in hereditary theory.

For instance, humans have only 20,000 to 25,000 genes, downgraded from a previous estimate of 100,000.  In comparison, a tiny water flea--barely visible to our naked eye--has about 31,000.

You’ve heard the word genome in the news and on PBS. Your genome is your full set of genes. Every cell in your body gets a copy of the full set although each cell cannot read all of them.  By the way, the word “cell” came from Robert Hooke, the first person who saw them in the 1600s. When he first discovered them under a microscope, they reminded him of monks’ cells.

Other interesting facts about your genome.  The chromosomes scientists have discovered have something to do with either inherited diseases or traits. For instance, chromosome 1 is associated with deafness, schizophrenia and maple syrup disease.  (You read that right!) If you have red hair, thank chromosome 2.  Blue or green eyes?  Chromosome 19 is for you.  And yes, previously scientists thought that there were only two possibilities for eye color: brown or blue.  Those green eyes, they just tagged as a variant of blue.

Anyone with the ability to get a stranger to pose for a camera while touching two or three other strangers in New York City must have both courage and amazing diplomatic skills. Enter photographer Richard Renaldi. Since 2007 Renaldi has been hauling his big, 8 by 10 inch view camera not just around New York, but around other cities and towns across America.  This cool involving book presents some of the amazing portraits he’s created.

The juxtapositions are captivating: ages, races, classes, sexes, outfits, jewelry, tattoos, and indoor and outdoor settings all present a panoply of portraits of 21^st century Americans. In “Jesse and Michael,” a bearded middle-aged man in an orange sweatshirt and woolen cap clutches the hands of a very old woman wearing a wig, with her cane draped over her purse.  Atlantic Ocean waves break behind them.

“Pedro and Neal” touch in some kind of shop or factory.  Pedro sits, his body exuding confidence and authority, a radio attached to his shirt.  Neal in a blue cap has claimed a perch on Pedro’s desk and Neal places one hand on Pedro’s shoulder, another around his wrist.

“Michael and Sarah” look like they could be engaged. Sarah leans into Michael’s shoulder on the NYC subway during winter—both wear coats and hats; their opposite hands are clasped on Sarah’s left wrist.

Since 2012, the American Library Association has chosen a best book for adult readers in both fiction and nonfiction that were published in the U.S. in the previous year. Drumroll!! This year's winners are The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism by Doris Kearns Goodwin and The Goldfinch by Donna Tart.

Both books have received excellent reviews. The Bully Pulpit focuses on the great friendship between Roosevelt and Taft that was severely tried when they ran against each other for president in 1912. It also vividly describes the muckraking era in American journalism, so far removed from our journalism today, but having left a great influence on it.

The Goldfinch, reviewed here previously, tells the story of a young boy's sense of loss after being bombed in a museum and losing his mother. In the craziness after the bombing, he grabs the small painting of the title--a 13 and 1/4 by 9 inch work by the Dutch artist, Carol Fabritius, that was painted in 1654. Theodore's life spins out of control and he keeps this painting for years. It's a novel about art, relationships, and how circumstances can change the course of a life in a single moment.

Penelope Lively is one of my favorite British novelists. She has a talent for capturing the world in detail and a deep understanding of the social world and the dynamics of families. In this nonfiction collection, she looks back upon her life including her childhood as an expat in Egypt, her staid years at a British boarding school, and her coming of age in the wild London sixties. She also writes about her reading and writing life and the complicated state of old age.

Fitzgerald explores how different the world of her youth was from today. When she was a child, everyone dropped everything for formal afternoon tea, and the girl who took the last sandwich or bun earned a wish for either a handsome husband or 10,000 a year.  Everyone, Lively said, chose the handsome husband. Money be scorned!

Lively also tells of being part of the post-suffragist, pre-feminist generation. In those days, no one wondered why ten men attended university to every woman. Although Lively enjoyed those odds, she wonders why she never questioned whether men were actually smarter than women or had more of a right to be there.