By Craig J. Clark Read more about Under the Kanopy: Two with Michel Piccoli

The first time I heard First Aid Kit, composed of doe-eyed Swedish sisters Klara and Johanna Söderberg, I had stumbled across their melancholic ballad "Ghost Town" on an episode of NPR’s Echoes. From the very first, when I heard them croon, “Maybe I should just turn around and walk away / For no matter how much I want to stay / You know I can’t / It’s just too late”, I was hooked. Read more about Music Review: First Aid Kit

Well, maybe not quite.

Listening to the Dropkick Murphys, I’m swept into their Irish-Catholic South Boston neighborhood. The sense of place in their rough-and-tumble songs is simply that strong—and not just on account of the accent coming through in the vocals.

The Murphys are a curious blend of genres: they’re described as both hardcore punk and Celtic folk, and you can definitely hear both in their music. I’d add unapologetically, jubilantly brash. And raucous. Irreverent. Throbbing with life, vitality, emotion, even a little death. Not above making fun of themselves.

And prolific. This year’s 11 Short Stories of Pain & Glory, peaking at number eight on the U.S. Billboard charts, follows a dozen releases by the Murphys since 1998. You may Read more about Dropkick Murphys: Kiss Them, They’re Irish

Citizen Kane tells the fictional story of rich newspaper publisher Charles Foster Kane, his rise to power and eventual decline as he shifts from an idealistic publisher/editor into egotist whose power has gone to his head.  It was based loosely on the life of William Randolph Hurst, but not loosely enough to suit Hurst.  The film pulled few punches and Hurst was not amused at being the subject, even if indirectly of such a movie. Citizen Kane almost completely failed at the box office when it was released and even before the production was finished the film was wrapped in controversy. Director and writer Orson Wells was accused by Hurst of the being a communist, and a homosexual, both of which were considered major issues in 1941.  Interestingly he also accused Wells of being a womanizer and Socialist as well. As you can see the accusations leveled at Wells were often contradictory and usually untrue.  The major newspapers, owned by Hurst refused to review the film or allow it to be advertised in their pages.  In fact, no review of Citizen Kane appeared in any paper owned by Hurst until the mid- seventies over 30 years after its release.  Read more about Citizen Kane

In 1965, there were two racing comedies released both of them set during the first 10 years of 1900’s.  The more popular of two was “The Great Race,” which was about an around the world automobile race; the second was Those Magnificent Men and their Flying Machines, about an air race between London and Paris in very early  and flimsy aircraft.  While I will admit there is something special about The Great Race and it certainly had more stars who were known in the United States, Those Magnificent Men and their flying Machines had something the other did not … History.

What do I mean by history?  First of all, there is the light-hearted review of man’s attempts to fly featuring the comic skills of Red Skelton mixed with historic footage of some of the more outrageous of man’s attempts and failures to fly before the opening credits.  You are not likely to see more historical film footage of man’s failed attempts to fly in another movie.  But of even greater interest to someone like me is that every plane used in the film was a recreation of a historic airplane from the birth of aviation.  In a few cases, they added some safety devices or a small change was made to better protect the pilots, but the planes did fly, or, at least, those that were supposed to fly did, and they were actually flown for the movie’s footage. Read more about Those Magnificent Men and their Flying Machines